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  • What to make with hand-spun yarn

    Mai 22, 2024 4 min lesen.

    The joy of spinning your own yarn is that you can design the yarn from the fibre up. In theory this means you can hold the pattern or project you’d like to make in mind, and create the yarn to match. 

    However in practice, at least at the beginning, that’s often not how it goes. Perhaps your spinning is either a bit inconsistent, or you find it hard to spin to a specific weight of yarn. Maybe you enjoy spinning from gloriously dyed variegated fibre and the result is very busy-looking yarn. It might be that you have small, precious skeins of practice yarn, or on the other end of the scale, you’re amassing hand-spun yarn faster than you can possibly knit through it.

    We’re going to take a look at a few of my hand-spun projects that cover some or all of these situations, and will hopefully inspire you to make more with your hand-spun.

    Simple accessories

    These are the Holding Hands mitts, designed by Claire Walls, which I made for my husband years ago. They still live in his coat pockets and come out every winter.

        • Small projects are a good way to use yarn spun from impromptu purchases of a single batt or braid of top that were too pretty to resist.
          • Plain stitch patterns like garter stitch, stockinette and even a little moss or seed stitch can allow variegated or busy yarn to shine, where more complex designs like lace or cables would likely be lost.

            Stranded colourwork

            Shown here is my Aspis Hat, using some hand-spun Cheviot as the contrast, with an undyed commercial Bluefaced Leicester/Masham blend as the main colour. The hand-spun yarn was left over from making the pair of mittens above.

            • Using hand-spun for a contrast colour is a great way to use up sample spins or small quantities of leftovers.
            • Pairing slightly lumpy hand-spun with a contrasting but less interesting commercial yarn of similar weight will make a sleeker-looking item and allow your work to shine. You’d be surprised how well it evens up when knitted! 

            A textured shawl

            My hand-spun version of the Leoma Shawl uses two different hand-spun yarns with quite low contrast. The yarn was much finer than the pattern called for, but using the same needle size as the original gave a much lighter, more airy fabric.

            • Gauge doesn’t really matter.
            • It’s easy to pair stripes of hand-spun with a solid colour commercial yarn. Lots of small amounts can be mixed together, and pairing with a solid colour will tone down yarn that might be distracting on its own.
            • You can keep working with stripes of different sizes until you’ve used up all of your yarn


            It’s become almost cliche that crafters who take up spinning are then likely to begin weaving. I am no exception to this. Five months passed from my first clumsy attempt at spinning to when I began to weave with the yarn I was making. I started with a home-made tapestry loom and progressed to a rigid heddle loom a while later.

            • Weaving works up much more quickly than knitting, and makes a larger area of fabric with the same amount of yarn. 
            • I believe thick-and-thin, and strongly textured yarn looks much nicer woven than knitted or crocheted. The flatter structure of the fabric shows them to advantage with less awkward lumpiness. 
            • You can mix commercial and hand-spun yarn, e.g. using the mill-spun for warp and the hand-spun for weft, or doing alternating stripes of each. 

            I made a skirt from 400 grams of approximately DK-weight hand-spun yarn: 200 grams each of two different colours. I made the skirt from panels, pleated into a waistband so that none of my precious fabric would be wasted. 

            The whole process – from beginning to spin the yarn, through weaving it up then sewing – took about six weeks. And while I did obsess over it a little, that was in evenings and weekends, working around work and childcare. To create a knitted garment of similar size would have taken way longer, and much more yarn!

            Patterns for colour-changing commercial yarn

            There’s nothing to say that patterns have to be designed for hand-spun yarn for you to use them. But if you’d like project inspiration for multicoloured hand-spun, look at designs that use yarns like Spincycle Dyed In The WoolChimera by RiverKnits, and Noro.

            A hand-spun outfit! 

            Here I’m wearing the Ironwork Tee by Dianna Walla in a kitchen-sink blend of alpaca, angora, Shetland, Bluefaced Leicester, mohair and probably some other things I’ve forgotten. It’s the fuzziest thing. The cardigan almost reaches my knees, and is the Gown cardigan by Irene Lin, made from a very similar blend to the tee, minus the angora. 

            I will mention that I have been spinning for many years, and do tend to get very involved in projects – so if you’re just starting out, don’t be put off. The intention is to illustrate that once you get comfortable with spinning, you can be quite deliberate about the yarn you create, and make things you may never have dreamed of being able to.

            About Marina Skua

            Marina is an enthusiast of slow textile crafts, as well as a yarn dyer and knitwear designer.

            Using local fibres wherever possible, she’s been spinning yarn by hand for almost a decade and believes in learning by experimenting.

            She works from her home in a small rural village in the South-West of England. Find her yarn and patterns at www.marinaskua.com, and follow her projects on Instagram and podcast on YouTube.

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