We're on a year-end shipping break - shipping will resume on Jan 6. The webshop is open though, and we're available via email!

0

Your Cart is Empty

Yarn
  • Our Favorite Fall Yarns

  • All Yarns

  • Spinning Fiber
  • Frau Woellfchen's Hand-Dyed Braids

  • John Arbon Appledore Tops

  • All Spinning Fiber

  • Notions & Gifts
  • Katie Green's New "Crafty Sheep" Tea Towel

  • Needle Stoppers & Stitch Markers

  • All Notions & Gifts

  • Books, Magazines & Patterns
  • Issue 12 - Art Nouveau

  • All Books & Magazines

  • About Us
  • We're here to help you stitch sustainability into every aspect of your making.

    With our carefully curated selection of non-superwash, plastic-free yarns and notions, we have everything you need to get started on your next project - and the one after that.

    Here's to a wardrobe of knits we love and want to wear for years to come!

  • Our Sustainability Pledge

  • Our Blog

  • Our Podcast

  • The Making Stories Collective

  • Superwash & Non-Superwash - the Indie Dyer Perspective | Bethany Evans-Brown, Woolberry Fiber Co.

    July 22, 2020 5 min read

    Last week, we shared Karida Collins' (Neighborhood Fiber Co.) perspective on dyeing and selling superwash and non-superwash yarns in our 'Indie Dyer Perspective' series on superwash - and this week I'm thrilled to welcome another indie dyer I've admired for a long time to these virtual pages: Bethany Evans-Brown from Woolberry Fiber Co.!

    Woolberry Fiber Co. is a completely family-owned and -run yarn business: Bethany and her husband Rhys hand-dye all of their yarn while taking care of two little ones - and they just welcomed their first employee to Woolberry Fiber Co.!

    They strive to keep the environmental impact of their business as low as possible by reusing water during the dye process, exhausting their dye baths fully, and using recycled and recyclable packaging materials. Plus, 5% of all website purchases go to charity: water, an organization helping to provide clean drinking water to remote tribes and villages around the world.

    Woolberry Fiber Co. offers both superwash and non-superwash yarns in their portfolio, and I'm so happy Bethany decided to share her insights on this decision with us!


    Over to Bethany:


    Your yarn base portfolio is quite equally balanced between superwash and non-superwash yarns. Would you be able to share a little bit about the why behind that decision and how it came about?

    For us, it is important to have options for all of our customers. We have some customers who really love superwash and do not feel comfortable knitting and washing with non-superwash. While other customers prefer non-superwash! Our goal is to always have a good amount of each in our shop (right now, we are low on stock due to just returning from maternity leave).

    When we started Woolberry, we only offered superwash mainly because I did not know how to dye non-superwash. However, over the years as we have gained greater understanding of the science behind dyeing, we have been able to start incorporating non-superwash into our regular rotation of bases. We hope to have a whole line of non-superwash, breed specific yarns to offer in our shop within the next few years.

    I'm also really curious about the practicalities of the how. Was it difficult to find a non-superwash yarn supplier or mill that you felt comfortable working with? What were some of the obstacles or challenges you encountered when you set out on this path?

    Finding a good supplier for non-superwash was much more time-consuming and difficult for us. We either found amazing mills that couldn't offer us the quantity we needed or other mills that required us to provide the raw wool that they would spin. It took roughly 3 years to find a mill that fit our needs and allowed us to not only purchase higher quantities of wool but also work on developing custom bases together.

    Some of the other challenges we faced were finding a mill that could spin both fine and bulky yarn, offer us an array of options when it came to the actual ply and spin of the yarn, as well as having good relationships with local ranchers so that we did not have to provide our own raw wool, but has the option for us to do that if, in the future, we would like to.

    I'm not a yarn dyer myself, but I've heard from multiple indie dyers that dyeing on superwash and non-superwash is very, very different. From your experience, what are the main differences when working with superwash vs. non-superwash bases?

    Due to the nature of superwash yarn having a thin coating around it, dyes - specifically acid-based dyes - adhere quite quickly and easily as well as allow you to create the classic speckled skein so many of us in the industry are familiar with. It is also difficult to felt, so it's a great beginner yarn for dyers to experiment with when perfecting their skill.

    When dealing with non-superwash, you have to focus a lot more on having the dyes bind with the fibers while not agitating the fibers causing the fibers to shrink or as many refer to as felting. Because of this, many dyers do not feel comfortable with dyeing non-superwash and many others do not have the 'dye style' that works well with non-superwash such as heavily speckled or variegated skeins. Non-superwash works best with semi-solid or very lightly speckled colorways.

    How does, from your experience superwash vs non-superwash yarn differ in terms of margins and demand from knitters? Does one of them clearly sell better?

    I feel that there is a shift in the industry where non-superwash is gaining traction. However, in my experience, superwash yarn still sells better. It seems many of our customers love our speckled colorways which we produce primarily on superwash bases or are not comfortable washing knitted or crocheted garments with non-superwash in fears it might shrink/felt.

    We are actively working on developing more non-superwash bases and educating our customers on how to properly care for their non-superwash garments as well as develop colorway collections that highlight the beauty of non-superwash yarns.

    How are your customers connecting with the bases? Do they have a clear preference for superwash vs non-superwash?

    We still see much more demand for superwash, but we are hoping to change that so that we can offer a balanced range of superwash and non-superwash. We have just produced a new custom non-superwash base with our mill - Berry Cormo (100% US Cormo) and it sold out within 3 hours of the release. I think offering this more unique non-superwash base really helped our customers become interested in trying out more non-superwash yarns.

    How easy is it to find out about the superwash processes your yarn suppliers use?

    Truly, it is quite difficult. We had to personally email our yarn supplier to ask about the process. I truly do not think many people understand how the process works.

    Do you have any advice for fellow indie dyers who are exploring either an introduction of non-superwash yarns or maybe even a full switch?

    I think the best way to start is to find a mill or yarn supplier who has a wide range of non-superwash yarns for you to try out. Learn how to dye them properly, try knitting with them, and then develop colorways that really highlight the beauty of the yarn. Then take your customers on a journey of discovering these bases alongside you. Offer sample packs/release a new range of colorways that are only offered on your non-superwash bases/host a KAL for non-superwash yarns/etc.

    With anything in this industry, taking your customers and followers on a journey - telling the story - really allows you to bring new products and new ideas to your shop making that 'risk' of offering a new product and it falling short much smaller. 


    Thank you so much for sharing your perspective with us, Bethany! I loved learning about the different dye styles that work well with non-superwash vs. superwash yarns and really value the insights on how difficult it was to find a non-superwash supplier!

    You can find Bethany and Woolberry Fiber Co. over on their website and Instagram (@woolberryfiberco).


    Leave a comment

    Comments will be approved before showing up.


    Also in Blog

    Thoughts on closing down a knitting magazine
    Thoughts on closing down a knitting magazine

    November 19, 2024 12 min read

    As a lot of you might have suspected I have, at last, made the decision to definitely close down Making Stories Magazine after Issue 14, our 2025 Fall & Winter issue. This means we still have two issues to go - Issue 13, coming out in March (Confetti & Rainbows!!), and Issue 14, coming out in September. I wanted to share this decision with you bright and early as I don’t feel like holding this in when we publish our last Spring and then our very last Fall & Winter issue. I want to celebrate those issues, and the work that we have done over the last eight years, and I want to be able to share the bittersweet feelings that will inevitably come up when the list of “lasts” still do be done gets shorter and shorter.
    Read More
    All the knits I finished while recovering from surgery
    All the knits I finished while recovering from surgery

    October 28, 2024 8 min read

    About three weeks ago, I had surgery. Nothing major, and it was planned - but it was my first time undergoing general anaesthesia and facing an uncertain recovery period, both of which made me quite nervous. I knew that I was going to be in the hospital for two days, if everything went well, but then it was between one and three weeks of recovering at home, depending on how fast my body was going to heal.

    Needless to say, I packed knitting for the hospital, but I didn’t feel like picking up my needles until my second day in the hospital. And then I knit. I knit, and knit, and knit. Curiously enough, I always get the urge to clear off my needles this time of the year - something about the weather changing, sweater season approaching, maybe? And this year, this urge coincided with me wanting to do something while watching copious amounts of Netflix without having to think very hard about what I was going to knit. Win win!

    Read More
    Art Nouveau Sample Preview Video - Issue 12, Fall & Winter 2024
    Art Nouveau Sample Preview Video - Issue 12, Fall & Winter 2024

    June 26, 2024 1 min read

    Let’s wander the streets of Brussels and Paris, searching for the hidden architectural Art Nouveau gems – houses, doors, windows, street lamps. Let’s explore Berlin’s Jugendstil tile art, marvelling at the colors and shapes taking form. Let’s get lost in the work of water color artists, glass blowers, jewellers, embroidery artists, and myriads more, who dive into the shapes and curves of plants and flowers, moving, flowing, mirroring.
    Read More